Press


︎‘New Photography : Create, Collect, Compile at NOMA’
    Bex Ya Yolk for BURNAWAY, Atlanta, Georgia (USA)
    ︎PDF
︎‘The Politics of Training Data’
    Ann-Christin Bertrand for Automated Photography, ECAL Lausanne,
    Switzerland (CH)

︎‘Beyond the Visible: The Hidden Structures of the Street’
    Sophie Wright for Lens Culture (NL)
    ︎Link

︎‘Traveling Salesman’,
     Katherine Adams for Nowhere Collective (NL)
    ︎Link

︎‘Elisa Gutiérrez Eriksen on The process of calculating one’s position at NARS Foundation’,
    By Etty Yaniv for Art Spiel (USA)
    ︎Link

︎‘Calcular mi posición en Sunset Park’,
    Daniel G. Campos for Vice Versa Magazine (USA)
    ︎Link

︎‘A Wide Spectrum of Ideas and Artist Studios in Brooklyn’s Sunset Park’,
    Alissa Guzman for Hyperallergic (USA)
    ︎Link

︎'Gazing Back at the Surveillance Cameras That Watch Us',
    Jordan Teicher for The New York Time Blog 'Lens', (USA)
    ︎Link
︎'Urban Algorithms', Portfolio Feature, Aesthetica, Issue 84 (UK)


︎'Esther Hovers Recreates Scenes Of Suspicious Behavior To Question Surveillance In Society',
    by Stephanie Wade, IGNANT Magazine (DE)
    ︎Link

︎'False Positives' Brian Huang for The Big Issue Taiwan (TW)


︎'Un Monde Veilleur', by Clementine Mercier, Libération (FR)


︎‘Anomali önleyici olarak mimarlık’, Güray Oskay, Art Unlimited (TR)
    ︎Link
︎Raw View Magazine, False Positives (FI)


︎‘Whose Future?’, Annette Hans, No. 24, BE Magazine (DE)


︎Corps du Pouvoir, Exhibition text for Centre d’Art Dominique Lang,
    Sofia Eliza Bouratsis (LU)
    ︎Link
︎‘Sublime vs. Terror / Ruins Act2’, Vassilis Alymaras,
    STUDIO magazine #11_ Terrific (IT)
    ︎Link

︎Invisible Culture Issue 25: Security and Visibility, Rochester University, NY (USA)
    ︎Link

︎‘Revenu universel : une idée qui travaille la gauche’, Luc Peillon, Libération (FR)
    ︎Link

︎‘Hoe je je wél aan goede voornemens kunt houden’,
    Bregje Hofstede, De Correspondent, (NL)
    ︎Link

︎Esther Hovers : False Positives,
    Suzanne Tromp, This Works (Wetransfer Art Platform), (NL)

︎‘Présumés Suspects’, Juliette Briancard, M, (Le Monde Magazine), (FR)


︎‘Structures of Power - On the works of Esther Hovers’, Start Point Prize, (CZ)


︎‘Visions d’Europe, Claire Guillot, Le M, (Le Monde Magazine), (FR)


︎‘Lightbox’, Cecilia Mussi, Pagina99 (IT)


︎‘Smarter Cities’, Regine Buschauer, POP Kultur und Kritik #7 (DE)


︎’Tendances - Flagrants Délits’, Luc Briand, Courrier International (FR)


︎‘False Positives’, Sophie Wright, Weird Science Issue,
    The British Journal of Photography (UK)
    ︎Link

︎‘Photos show what crime looks like before it happens’,
    Ana Swanson, Washington Post (USA)
    ︎Link

︎‘False Positives’, #09, Control, YET Magazine (CH)


︎‘Can You Spot the Suspicious Behavior In These Photographs?
    Laura Mallonee, Wired.com, (USA) & Wired.jp (JP)
    ︎Link

︎‘De waakhond van de geheime diensten wil door kunnen bijten,
    maar heeft er de tanden niet voor’,
Maurits Martijn, De Correspondent (NL)
    ︎Link

︎YET Archive book
, Edited by Salvatore Vitale (CH)


︎‘Bij je moeder op de bank anders zijn dan bij je vrienden in de kroeg.
    Dat is echte privacy.’
Maurits Martijn, De Correspondent (NL)
    ︎Link

︎‘Rennen, opsplitsen, stil staan’, In Beeld, NRC Next (NL)


︎‘Met een verrekijker om de nek langs de talenten’ Parool (NL)
    Jan Pieter Ekker




Catalogs


︎’Vue de dos - Images à contre-courant’, Le Delta, Namur (BE)
    by Isabelle de Longrée

︎’Fotografie Heute - Resistant Faces’, Pinakothek der Moderne, Munich (DE)
    by Jana Haeckel

︎Artist E-Book Esther Hovers - Circulation(s), Tribew Publishers, Paris (FR)


︎‘False Positives’, Esther Hovers, Selfpublished, the Hague (NL)


︎Startpoint Prize 2015, catalogue (CZ)




Academic Texts


︎'The Aesthetics of the Hidden.
    Visualization of Surveillance-Dispositives in Artistic Positions of Jill Magid, Esther Hovers and Trevor Paglen.'

     Master Thesis by Julia Latzel, University of Hildesheim (DE).

︎'Algorithmic Visuality and the Remaking of Urban Everyday Life',
    Essay by Sarah Al-Dahir, UvA, University of Amsterdam (NL).

︎'Algorithmic Visuality and the Remaking of Urban Everyday Life',
    PhD by Thomas Mayer-Lemieux, National Institute for Scientific Research (INRS), (CA)

︎'A Place Like All Others: Picturing Global Capital in Urban Space',
    Master Thesis by David Flood, Institute of Art, Design and Technology Dún Laoghaire (IE)

︎Facing Surveillance: On Artistic Explorations of Biometric Technologies,
    Master Thesis by Rosa Wevers, Utrecht University (NL)




Video / Audio


︎'Webinar Esther Hovers - Macht en Poëzie van Technologie,
     Interview Beeldvoorziening by Simone Henken (NL).
    ︎Link
︎'An interview with Esther Hovers / Artist and Photographer‘,
     Interview by Josh Croll for Boxed Off (SCH).
    ︎Link
︎'#6 - Tussen videokunst en surveillance camera',
     Kunstmatig de Podcast by Rosa Wevers / Veerle Spronck (NL).
    ︎Link
︎'Podcast Mens met Esther Hovers’,
     Interview by Sander Pleij for Vrij Nederland (NL).
    ︎Link
︎'Out Of Focus’,
     Documentary on art in times of Corona, directed by Maarten de Kroon (NL).


︎'Interview – In Times of Corona’,
     Interview met Naomi Moonlion for the exhibition ‘Capturing Corona’ at Stroom (NL).


︎'Anonym war Gestern: Für ein projekt der KulturRegion Stuttgart steht die Villa Merkel “Unter Beobachtung”,
     Interview for German Telivision, SWR2 (DE).

︎'Exposition – Le prix de notre liberté de pensée’,
     Centre d’Art GwinZegal for French Telivision, France 3 Bretagne (FR).
    ︎Link




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© 2021 Esther Hovers